Ghost Bike
by Virginia Shank
“We all travel the same unsafe streets and face the same risks; it could just as easily be any one of us.”
--Ghostbikes.org
The white wheels loom luminous
out of the dark
draw the eye up from the crosswalk
to the spraypainted frame the seat set
with bunches of lavender condolence cards
Locked to the sign
supposed to say pedestrians
here
though the bike belies this little lie the story
not one about stopping
some car careening
toward the freeway unconscious
of corners of yellow whispers
watch out
I can’t help but wonder what color it was
silver orange red?
The wheels were once black
and the seat unseen some body
somebody
​
working there pedaling hard trusting perhaps
the voice of the sign The white lines
​
Red
Then black
​
​
Now this white warning
a wraith
waiting to say to me watch
And maybe I should
out wandering sidewalks at 2 a.m. longing for leaves
that sing like the sea
​
for chorus of crickets
​
for some sign this place could keep me alive
It’s hard to help it I admit walking
unwary in the witching hour dark watching
only the liverspot sky clouded and dim
trailing like a hound the scent of water
​
only a sprinkler shaking out some sustenance
for the woebegone grass curbed
and clipped to a neat suburb slit
The trees here stay silent
leaves kept close
for the heat They have to conserve
I understand
though I stand still
beneath their manicured limbs and ache
for the windsong the rainsong for life
​
One shouldn’t wander the ghost bike warns
mustn’t look over the overpass edge
lean into the fenceless air
which would open arms
to draw you down to the asphalt
your blood
blinking back the river of taillights
The only sound the sound of tires
the sound of something that was once alive
stopping the tide the torrent of cars
quiet and finally looking
looking at that yellow voice
the nightgrey grass so tenderly tended
the white bike
Riding the Santa Ana River Trail
​
by Virginia Shank
I pedal past the palisades
​
the chainlink fence
​
and concrete cliffs
​
under the overpass roads
​
tireless tirethrum tinnitus
​
to the culvert curled like a cochlea
​
where men wax and wane walking
​
the bright bones of channels
​
toward work or the shelter
​
toward can collecting
​
the liquor store
​
one laundering his collared shirt
​
with Irish spring in a trickle
the sign calls a river
​
another sign saying
​
no camping no storage
​
of personal property
​
the property owners
​
along the perimeter
​
peering below barbed wire
​
as they prune back
​
their orange trees
​
so no fruit falls
​
where one of the men
​
could pick it up
​
though someone
​
has lined up eight oranges
​
along the embankment
​
and left them
​
a gift or a sign an invitation
​
I do not return
​
but turn instead up
​
the last leg of trail
​
where surfers strip slick skins
​
beneath toweled hips
​
and then to the road
​
where plastic surgeons
​
sandwich McDonalds
​
and luxury auto dealers
​
where I must swerve
​
around the Lexus
​
pulling in to park
​
where I am begrudged
​
my sixteen inch shoulder
​
and all I can think of
​
spinning out ten miles
​
to the place I live
​
(Will I ever call it a home)
​
is the hope of olive
​
oak and eucalyptus
​
sagetanged air
​
and the taste
​
of citrus
sun
Virginia Shank writes, rides a velomobile, teaches at Irvine Valley College, and edits The Ear in Southern California, then summers in upstate New York. Poems have appeared in Third Wednesday, So It Goes, Rhino, and elsewhere.