Ghost Bike
by Virginia Shank
“We all travel the same unsafe streets and face the same risks; it could just as easily be any one of us.”
--Ghostbikes.org
The white wheels loom luminous
out of the dark
draw the eye up from the crosswalk
to the spraypainted frame the seat set
with bunches of lavender condolence cards
Locked to the sign
supposed to say pedestrians
here
though the bike belies this little lie the story
not one about stopping
some car careening
toward the freeway unconscious
of corners of yellow whispers
watch out
I can’t help but wonder what color it was
silver orange red?
The wheels were once black
and the seat unseen some body
somebody
working there pedaling hard trusting perhaps
the voice of the sign The white lines
Red
Then black
Now this white warning
a wraith
waiting to say to me watch
And maybe I should
out wandering sidewalks at 2 a.m. longing for leaves
that sing like the sea
for chorus of crickets
for some sign this place could keep me alive
It’s hard to help it I admit walking
unwary in the witching hour dark watching
only the liverspot sky clouded and dim
trailing like a hound the scent of water
only a sprinkler shaking out some sustenance
for the woebegone grass curbed
and clipped to a neat suburb slit
The trees here stay silent
leaves kept close
for the heat They have to conserve
I understand
though I stand still
beneath their manicured limbs and ache
for the windsong the rainsong for life
One shouldn’t wander the ghost bike warns
mustn’t look over the overpass edge
lean into the fenceless air
which would open arms
to draw you down to the asphalt
your blood
blinking back the river of taillights
The only sound the sound of tires
the sound of something that was once alive
stopping the tide the torrent of cars
quiet and finally looking
looking at that yellow voice
the nightgrey grass so tenderly tended
the white bike
Riding the Santa Ana River Trail
by Virginia Shank
I pedal past the palisades
the chainlink fence
and concrete cliffs
under the overpass roads
tireless tirethrum tinnitus
to the culvert curled like a cochlea
where men wax and wane walking
the bright bones of channels
toward work or the shelter
toward can collecting
the liquor store
one laundering his collared shirt
with Irish spring in a trickle
the sign calls a river
another sign saying
no camping no storage
of personal property
the property owners
along the perimeter
peering below barbed wire
as they prune back
their orange trees
so no fruit falls
where one of the men
could pick it up
though someone
has lined up eight oranges
along the embankment
and left them
a gift or a sign an invitation
I do not return
but turn instead up
the last leg of trail
where surfers strip slick skins
beneath toweled hips
and then to the road
where plastic surgeons
sandwich McDonalds
and luxury auto dealers
where I must swerve
around the Lexus
pulling in to park
where I am begrudged
my sixteen inch shoulder
and all I can think of
spinning out ten miles
to the place I live
(Will I ever call it a home)
is the hope of olive
oak and eucalyptus
sagetanged air
and the taste
of citrus
sun
Virginia Shank writes, rides a velomobile, teaches at Irvine Valley College, and edits The Ear in Southern California, then summers in upstate New York. Poems have appeared in Third Wednesday, So It Goes, Rhino, and elsewhere.