San Domingo
by Erik Rangno
An island of warring appetites, or else two rogue states grounded
at the hip—it all depends on how you read the parking lot, the
spidery eyes of the dispossessed tracing the trails of jets through
orange skies the Wednesday after Easter. The motel pool has
been emptied of water and still the green gate cautions: DO NOT
SWIM ALONE. A ragged couple reclines at the bottom, insulated
by the endless commotion of cars coming off the freeway to loop
the drive-thru to the window. Palms overhead draw from the
breeze a false nostalgia: comforts of a home they’ve always
wanted but never had. They pass a bottle between them while
conjuring spells against their suicide. And I remember thinking,
any camouflaged soul could find asylum here, if not for vice
across the boulevard. When it was finally our time, you chose a
room on the second floor directly in line with the In-N-Out
arrow—a missive to break our better selves against. I spoke
playfully of handcuffs and you rehearsed your life in flakes: the
pointlessness of cheerleading, a cesspit father who’d gone to the
Kennedy School, phobias concerning the pouch-life of marsupials
and the exhilaration to be found in certain types of jeans, all the
dead-end footprints left in arid lakebeds. It wasn’t Easter, I
remember now—but Halloween. “The devil take the hindmost,”
you said, and I went to the minimart for protection. Afterwards I
noted how the vending machines beneath the stairwell stacked
up like three bears, and you said, “A fairy tale’s the opposite of
fantasy—are you trying to burst the bubble?” “Yes,” I said. “We’re
finally getting somewhere, getting at something real, about you
and me and whatever’s got us in its teeth, a Pac-Man or a serpent,
a maze or a garden, ghosts or God . . . I measure your worth by
what I’ve given up to be here, and it’s so much more than
happiness.” In the silence that followed, I’d wanted there to be
creatures bold enough to warrant an exit strategy; their
beastliness a remedy for future memoirs set to silvery suns in
foreign plazas, outposts along the shipping lanes where location
never matters beyond the introduction. But what I felt,
unmistakably, was border patrol, the too big and too small of our
being. Already within the palace walls, whispers of another coup.

Erik Rangno teaches creative writing and literature at Orange Coast College, in Costa Mesa, CA. His fiction has appeared in The Santa Monica Review and nonfiction in The Atlantic. “San Domingo” is one of a series of prose poems set in Southern California.